Constructing Victimhood and Public Opinion: A Discourse Analysis of Move Making

This research explores the intersection of ideology, political discourse, and cinematic representation, focusing on the film Plan A (2021), which depicts Holocaust survivors plotting retribution against post-war Germany. Using Teun A. van Dijk’s Political Discourse Analysis (PDA), the study examines how political ideologies and power structures are embedded in cinematic language and visuals. Key PDA concepts such as context, cognitive processing, macro/microstructures, and polarization are applied to selected dialogues and scenes to reveal how the film constructs emotional appeals, reinforces group identity, and frames justice and revenge.

The analysis shows that Plan A functions not only as a historical drama but also as a political text that invites viewers to reflect on complex issues such as victimhood, trauma, accountability, and the ethics of revenge. By portraying the Holocaust’s aftermath through emotionally charged language and symbolic imagery, the film contributes to ongoing discourse about justice and collective memory.

 This research is significant because it highlights cinema’s role in shaping political thought and public ideology. It demonstrates how film can reflect and influence societal attitudes, making it a powerful medium for ideological critique. Through PDA, the study underscores the need to critically engage with film as both art and political communication.